ensemble arte musica
Francesco Cera founded and directs the Ensemble Arte Musica. They perform a vast repertory of Italian Baroque vocal music, from madrigals to cantatas and in the various expressions of sacred music.
Their interpretation is characterised by a new and unconventional approach to Baroque vocal repertoire, although in the light of historical evidence. The singers in the Ensemble are chamber music and opera soloists, and the instrumentalists perform with Il Giardino Armonico and I Barocchisti.
The ensemble’s first recording (Tactus label) of unpublished sacred music by the 17th century composer Giovanni Paolo Colonna was widely acclaimed by the critics. The ensemble made their concert debut at the Flanders Festival in Bruges in 1997.
Their next CD included the Fourth Book of Madrigals by Carlo Gesualdo, and the Lamento di Arianna and Scherzi Musical composed in 1632 by Claudio Monteverdi.
In 2001 the magazine “Orfeo” published a presentation of the Ensemble, which included a CD. A year later, in 2002, the magazine “Amadeus” featured their CD of unpublished Cantatas and Sonatas by Domenico Scarlatti. 2006 saw the issue of their CD “Ghirlanda Sacra”, a collection of motets for solo voice by Monteverdi and other composers working in Venice at the beginning of the 17th century.
In 2009 the ensemble has performed at the Konzerthaus in Vienna the madrigals composed by Luzzaschi and De Wert for the famous “Concerto delle Dame”. In 2010 Francesco Cera has conducted the ensemble in a successful performance of Monteverdi’s “Vespro della Beata Vergine” in the Abbey of Melk (Austria). Both concerts has been recorded by the austrian radio broadcasting and published on CD by the label ORF Alte Musik.
The Ensemble Arte Musica has performed at important music festivals through out Europe, such as the Istituzione Universitaria dei Concerti in Rome, Bologna Festival, Milano Arte Musica, Les Gouts Reunis in Lausanne, Linzner Schloss Konzerte, Festival van Vlaanderen, Tage fur Alte Musik in Brandenburg, Festival di Augsburg, Le feste di Apollo in Parma, Festival Cantar Lontano, Festival Luci e Tintinnii in Colle di Val d'Elsa and Festival Galuppi in Venice. They have also recorded for RAI Radio 3, ORF and Euro Radio.
reviews
The main event of the Festival was the Vesper of Claudio Monteverdi performed in the abbey church. Francesco Cera has conducted the excellent singers of his Ensemble Arte Musica and the strings, cornettos and trombones of the flemish group Oltramontano in an exciting performance. Melk can be proud of it!
Wiener Zeitung - May 26, 2010
Cera’s singers have a mellow and steady voice, creating dynamics that convey surprising echoes of ‘bel canto’, without pushing them too much into anti-historical extremes.
Carlo Vitali - Amadeus, July 2005
The evening featuring the Madrigali from Book Four by Carlo Gesualdo da Venosa was a rare and special event. Adherence to the text was perfect, and its deepest meanings were brilliantly interpreted by the young Ensemble Arte Musica, directed by Francesco Cera, who also performed on his Harpsichord.
Landa Ketoff - La Repubblica, Roma 4 March 1999
The interpreters of the Ensemble Arte Musica were excellent, and above all was Francesco Cera, a sensible and refined musician, who showed a noble loftiness and chaste emotions.
Nicoletta Sguben - Amadeus, June 2006
The italian singers under director Francesco Cera make the most of the poetry. They also reach new levels of refinement in tone and precision.
Lawson Taittle - The Dallas Morning News 2 Febbraio 1997.
The standard of the performance is uniformly excellent. Francesco Cera and the Ensemble Arte Musica are to be congratulated on their achievements here, and it’s to be hoped that they will continue to bring us further examples from the wonderful world of the Italian vocal music of the Baroque.
John Collins - The Diapason march 2007
Francesco Cera’s musical direction was careful, measured, and at the same time charged with a transport that gave life to a sublime performance.
Edoardo Farina - Gli Amici della Musica August 1997
The “Concerto delle dame principalissime” was performed by the Ensemble Arte Musica with admirable transport and conviction. Loredana Biagi and Letizia Calandra, under the guidance of performer and harpsichord player Francesco Cera, created a greatly fascinating musical scenario.
Adriano Cavicchi - Il Resto del Carlino 31 May 2006
The Ensemble Arte Musica for the Dame di Ferrara madrigals.
The musicians:
Soprano: Loredana Bigi, Letizia Calandra, Ester Castriota, Rosita Frisani, Roberta Invernizzi, Lucia Napoli, Patrizia Vaccari.
Mezzo-soprano: Manuela Custer, Damiana Pinti
Alto: Gabriella Martellacci
Countertenor: Roberto Balconi
Tenor: Alessandro Carmignani, Vincenzo Di Betta, Vincenzo Di Donato, Mirko Guadagnini, Baltassar Zuniga
Bariton: Filippo Bettoschi
Bass: Gianluca Buratto, Riccardo Ristori, Marcello Vargetto
Violin: Stefano Barneschi, Marco Bianchi, Yoko Ichihara, Riccardo Minasi, Marco Serino
Cello: Giordano Antonelli, Marco Testori
Gamba: Claudia Pasetto, Rodney Prada
Double bass: Gianfranco Pavan, Paolo Rizzi, Paolo Zuccheri
Theorbo and lute: Luca Marconato, Evangelina Mascardi, Ugo Nastrucci, Giangiacomo Pinardi, Giuseppe Pistone
Baroque harp: Marina Bonetti